Master bedroom
The Miss Kot’átková
Master bedroom
The Miss Kot’átková
Eva Kot’átková
My mother Mia started with a fantasy: a gold leaf shower, glowing quietly like a secret. The room became a thoughtful setting for some of the most introspective works in her collection. Among bowls from Oxford Ceramics and vintage finds from auctions and fairs, Sylvie Auvray’s Ane brings mischief and mystery — a folkloric figure suspended between sculpture and dream. Teodora Axente’s The Spell shimmers with illusion, drawing the viewer into a spiritual world shaped by foil, satin, and longing.
Eva Koťátková’s installation offers a darker, more intimate reflection — a box-like structure that explores childhood, constraint, and inherited ritual. Together, the works reflect my mother’s vision for the space: not just a place to rest, but a return to feeling, to imagination, and to the self we once were.
In room
Artworks
The Spell
- Teodora Axente
- , 2015
Child’s dream
- Eva Kot’átková
- , 2015
Ane
- Sylvie Auvray
- , 2019
Eva Kot’átková
Eva Koťátková takes as her central theme the individual’s relationship to normative social structures and institutions, such as governments, schools, or families. In her sculptures, performances, drawings, and collages she gives form to the invisible, disciplining force exerted by rules, conventions, and rituals: cage-like objects, acting as physical restraints for body parts, cut-out illustrations from medical textbooks, and images of people tangled up in strings are recurring motifs in her work.
Poetic, darkly humorous, and occasionally ominous, Koťátková counts Czech surrealism and absurdist literature among her sources of inspiration. Koťátková is struck by the peculiarly poor fit between the world of ideas, theories, rules and codes, and the people who must live with them, struggling to conform, to sit up straight, to follow lessons, abide by set principles. They are often trying, and failing, to break free, and the consequences may be strikingly absurd.
























